The angel departing from the family of Tobias after 1641

This print, The angel departing from the family of Tobias, was made by an anonymous artist using etching and drypoint techniques. Look closely, and you’ll see that the image is built up from a dense network of lines, bitten into the surface of a metal plate with acid. The artist would have then applied ink to the plate, wiping away the excess, and pressed it onto paper. This process allowed for multiple impressions to be made, democratizing the image and making it available to a wider audience. The composition, with its dramatic lighting and expressive figures, is characteristic of the period. But so is the etching process itself, which was central to the rise of print culture and the dissemination of visual information. The resulting image bears the trace of these processes, embodying both technical skill and the spirit of artistic expression. Recognizing this connection helps us move beyond the surface of the image, and understand its place in the wider landscape of visual culture.