drawing, print, engraving
portrait
drawing
baroque
classical-realism
history-painting
engraving
Dimensions: height 358 mm, width 246 mm
Copyright: Rijks Museum: Open Domain
Jean Pesne created this portrait of Nicolas Poussin in the 17th century using engraving. This printmaking technique involves meticulously cutting lines into a metal plate, inking the surface, and then pressing it onto paper. The medium lends itself to intricate detail, seen in the rendering of Poussin’s face and flowing hair. Look closely, and you’ll notice the dense network of lines creating tonal variation and texture. Engraving had become a key method in the early modern period, facilitating the reproduction and dissemination of images on a large scale. This was labor-intensive work, requiring skill and precision, and was often executed in a workshop setting. The lines are not just marks but bear the trace of the engraver’s hand and the social relations of production at the time. Considering the materials, making, and context provides insight into the print’s significance, challenging distinctions between fine art and craft.
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