Saint Nemesius c. 17th century

Curator: Here we have Jacques Callot’s “Saint Nemesius.” It's an etching, quite small, housed at the Harvard Art Museums. What strikes you first? Editor: The stark contrast of the scene. The horror of the execution, yet the saint's peaceful acceptance. Curator: Callot’s skill with the etching needle is evident in the details—note the laborers tending the fire, each rendered with distinct tools and attire. Consider the economic context; the cost of materials would affect production. Editor: Absolutely, and think about the social implications of depicting martyrdom during the Counter-Reformation. It served as propaganda, reinforcing faith through powerful imagery, especially with themes of persecution and resilience. Curator: Indeed, the printmaking process allowed for mass distribution. Editor: Seeing the social function really brings this image to life for me. Curator: I agree; understanding both the medium and the message gives us a fuller appreciation.