Adoration of the Magi c. 17th century

Curator: Here we have "Adoration of the Magi," attributed to Carlo Maratti, housed here at the Harvard Art Museums. Editor: It's a small ink drawing, quite delicate. The composition feels very balanced, despite the flurry of figures. Curator: Maratti was a significant figure in the Roman art scene, deeply involved in the Academy of Saint Luke. His work reflects the values of the Counter-Reformation. Editor: The linear quality is really striking. See how the lines vary in thickness, creating depth and shadow? It's all about the contrast. Curator: And the subject matter itself – the Three Kings presenting gifts to the infant Jesus – was a very popular theme for artists, especially those commissioned by the Church. This scene was highly didactic for those who saw it. Editor: Absolutely. The implied movement, the way the figures are arranged, all leads the eye right to the Virgin and Child, the focal point. Curator: Considering the historical context, it's fascinating to see how Maratti navigates the expectations of religious patronage, contributing to the visual culture of his time. Editor: Looking closely, the dynamism of line and shadow really captures the divine narrative, doesn't it? Curator: Yes, art like this shows how much influence the church had on people's lives. Editor: Indeed. It’s a small work, but rich with complexity.