Ballet by David Smith

Ballet 1941

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print, etching

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ink drawing

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print

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etching

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figuration

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modernism

Dimensions: plate: 101 x 150 mm sheet: 146 x 276 mm

Copyright: National Gallery of Art: CC0 1.0

Curator: This small etching by David Smith, created in 1941, is titled "Ballet." Editor: My initial response is a sense of unease, almost a clumsy dance. The figures seem contorted, awkward. The scratchy lines amplify that tension, wouldn't you agree? Curator: Indeed. But, considering its modernist roots, I see that distortion as a deliberate choice. Look how Smith abstracts the human form into near-geometric shapes. This reminds us of how dancers, especially in ballet, often push their bodies to extreme limits of physical possibility. The linear structure suggests constraint and precise control. Editor: Ah, I see. The geometric shapes and etched lines could also reflect the anxieties of the era, a pre-war Europe grappling with industrialization and mechanized warfare. Are we seeing bodies turned into machines? Curator: It’s plausible. Note the symbolic contrast – the apparent grace and artistry suggested by "Ballet", colliding against hard lines and unsettling angles of modernist machinery, an impending doom that weighs on many art pieces during this period. Editor: And what about this central, mask-like image? It's almost grotesque. Curator: Precisely. That element introduces ritual, almost primitive echoes amid the supposed high culture. Think of how masks have traditionally channeled spirits and transformative power, and the idea of ancient rites juxtaposed with this futuristic body design and modernist composition… fascinating tension at play, showing layers of ritual traditions re-coded into a new symbolic cultural expression. Editor: So we see ballet not just as dance, but as a performance infused with anxiety and perhaps a nod to archaic cultural archetypes? That changes the read on the piece entirely. Curator: Exactly. Art historical perspective, coupled with careful iconographic assessment, offers a deeper viewing and perhaps emotional, understanding of the cultural values within. Editor: Well, I walked in seeing only disquiet, but I now perceive this "Ballet" as a loaded commentary on a shifting cultural and socio-political landscape!

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