Geretoucheerd portret van een onbekende man met een baard before 1881

This retouched portrait of an unknown bearded man was created using photographic techniques. It is interesting to consider the chemical processes and the social context in which this image was made. The photograph captures the likeness of the sitter, but it is not simply a record; it’s been manipulated. The phrase ‘cliché retouché’ suggests the application of manual techniques to alter the image. The very act of retouching invites us to think about ideas of truth, beauty, and representation. It’s important to recognize the labor and skill involved in producing this image. From preparing the photographic materials to posing the sitter, to the delicate work of retouching, the photograph embodies a series of decisions and interventions. By attending to the materials and making of the image, we gain a deeper understanding of its cultural significance, recognizing it as more than just a depiction of a man but as a carefully constructed artifact.