There was heard the roar of the quickly approaching dragon 1909

Editor: Here we have "There was heard the roar of the quickly approaching dragon" by Charles Robinson, made in 1909, with watercolors, drawing, and colored pencil. The creature depicted feels quite whimsical, despite supposedly being a fearsome dragon. What can you tell me about it? Curator: What strikes me is the tension between the dragon as a symbol of power, often aligned with masculinity and dominance, and its visual representation here. Do you see how Robinson subverts those traditional narratives? Editor: I see what you mean. It's not particularly fearsome looking, more like a plump lizard! Curator: Exactly! This invites us to question societal expectations and power structures. Robinson created this artwork during a time of significant social upheaval, and this could be a subtle commentary on the perceived authority figures of that era, specifically King Edward VII, and what some people considered his over indulgences and "Dragon-like" appetite for pleasure and luxury, especially with all of his many affairs. How might this playful portrayal challenge established norms? Editor: It makes you think about who is truly in control and who holds the power. The dragon is still breathing fire though. Curator: Yes, that visual tension is key. While deflating its power through depiction, Robinson still acknowledges its capacity for disruption. It can be a representation of hidden anger within disenfranchised groups, what do you think? Editor: That's fascinating, I didn't consider it that way. Curator: Thinking about the social context makes one look beyond the literal image. It shows that what we assume to be solid truths, can be upended. Editor: I agree! It changes everything to know more about the social and cultural framework of a piece.