Vertumnus en Pomona 1740 - 1774

Editor: So, here we have Pieter Anthony Wakkerdak's etching "Vertumnus en Pomona," dating somewhere between 1740 and 1774. The print has a darkly romantic feeling to it, a dramatic, almost theatrical air. What do you see in this piece? Curator: It’s interesting that you picked up on the theatricality, it is certainly present. Beyond that initial impression, I'm immediately drawn to the layered storytelling. The central figures of Vertumnus and Pomona are presented almost as if caught in a private moment, right? And then you have this backdrop… almost like another painting of garden allusions! What do you think all those visual layers signify? Editor: Perhaps an emphasis on hidden identity or the unveiling of something sacred? Like peeling back layers to reveal truth. Curator: Precisely! This Baroque playfulness—with its veiled identities, allegorical nudge-nudge-wink-wink—it's all part of that era’s delight in complex symbolism. Look at the use of light and shadow. It’s not just decorative, it's dramatic. It enhances the tension and the overall sense of mystery. Editor: The draping is amazing, all of those folds. Curator: Oh, absolutely. The artist seems to luxuriate in texture, but it's not just technical skill for show. Think of how the softness of Pomona's robe contrasts with the implied roughness of the bark on the trees, everything speaking to a broader exploration of the senses. Editor: That makes the narrative feel so much richer. I see all those things, and the sensuality of the scene really pops! Thank you! Curator: My pleasure! It’s through those very human moments, that Baroque era managed to capture these classical allegories in truly memorable prints.