Pair of saltcellars 1743 - 1744

Editor: This is a Pair of Saltcellars made of silver by Edward Aldridge I in 1743 or 1744. It's currently at the Metropolitan Museum of Art. I'm really struck by how ornate such a simple, functional object could be. The lion emblem, for instance—what's the story there? Curator: Well, the lion emblem you observe is more than mere decoration. It’s a symbol, deeply rooted in heraldry, suggesting status and nobility. Consider the original owner—what messages were they trying to convey through its display at their table? Editor: So, it’s not just about holding salt, but also about communicating power or family history? Curator: Precisely! The very act of placing salt—a preservative and symbol of value—within such a vessel elevates the dining experience into a display of wealth and cultural understanding. Note, too, the number "I" after Aldridge’s name - lineages of makers often denote quality and recognition of expertise across generations. How might the intended audience in the 18th century interpreted that signifier? Editor: It's like a layered message! It's not just the wealth in the material, but wealth in skill, heritage, and understanding of cultural symbols. I never considered how much weight such a small object could carry! Curator: Indeed. Material culture provides direct insight to cultural memory, societal standards and, in many cases, psychological association for the commissioner. What was initially intended to provide ease and visual appeal to one’s private space, is now a public demonstration of self. Editor: That really puts these saltcellars in a whole new light for me. Seeing beyond the surface object and recognizing that it embodies a deeper historical and symbolic weight. Curator: I am so glad you appreciate it for its layered value, historical impact, and lasting legacy as a cultural artifact.