Demarsy, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891
print, photography
portrait
photography
coloured pencil
Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
Copyright: Public Domain
Editor: This is "Demarsy, Paris, from the Actors and Actresses series" made between 1885 and 1891 by Allen & Ginter. It seems to be a photograph with some coloured pencil touches, intended for Virginia Brights Cigarettes. I'm struck by the woman's elaborate costume and how it contrasts with what seems like a rather staged pose. What draws your eye in this piece? Curator: Immediately, the fan she holds becomes the most potent symbol. In Japonisme, fans represent a connection with the exotic Orient. Their significance extends beyond mere decoration, embodying notions of accessibility, theatricality, and perhaps a sense of cultivated artificiality permeating that epoch. Editor: So, the fan isn't just a prop, but a gateway to understanding cultural influences at the time? Curator: Precisely. It speaks of trade routes and artistic movements, reflecting Japonisme's wide adoption of Japanese motifs. This cultural fusion manifests in the photograph's visual vocabulary. The dress itself mirrors these complex cultural dialogues through the abundance of detail in the trim and fabric. How does this fusion impact your reading of her identity? Editor: That's interesting. I hadn't considered how the blend of styles might also reflect on her persona. She becomes more than just an actress in a portrait; she’s almost an emblem of the era. Curator: Indeed! The cigarette card format shrinks this potentially empowering image. Her likeness then becomes widely distributed as a collectable object meant to market something as mundane as cigarettes. She's presented as an object of allure, subtly intertwined with commerce. Considering that shift, what do you feel now? Editor: I see a tension I hadn't noticed before, between artistic representation and commercial objectification. It’s really fascinating to think about how the symbols function on multiple levels. Curator: It reminds us of the visual language always adapting through diverse platforms. Editor: I will definitely consider symbolic layering within cultural context more often. Thank you!
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