Stavraton of Manuel II Palaiologos c. 1391 - 1425

Editor: Here we have a Stavraton of Manuel II Palaiologos, currently residing in the Harvard Art Museums. It's a small, silver coin, quite worn, but the imagery is still visible. What stands out to you about its composition? Curator: Note the meticulous circular design—the effigy within a ring, mirrored on both sides. This repetition creates a closed, self-referential system. Consider the weight and metallic composition, chosen for their intrinsic value and potential for symbolic expression. Editor: I hadn't considered the circularity so deliberately. Does the degradation of the material change its impact? Curator: Indeed, the wear introduces an element of chance, disrupting the original form. Yet, the underlying structure persists, its message enduring despite entropy. These visual components communicate enduring qualities. Editor: That's fascinating. I will definitely look closer next time. Curator: An excellent starting point for further exploration of Byzantine art.