James Francis "Pud" Galvin, Pitcher, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes 1887
print, photography, albumen-print
portrait
baseball
photography
men
athlete
albumen-print
Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)
Copyright: Public Domain
Editor: This is a photograph, specifically an albumen print from 1887, of James Francis "Pud" Galvin. It's part of the "Old Judge" series, used for cigarette advertising. It's remarkable how detailed this print is. What really strikes me is the overt commercial application - using baseball stars to sell cigarettes! How do you interpret this work? Curator: I see a fascinating intersection of labor, materiality, and consumption. Think about it: the photograph itself, an albumen print, involved a specific and rather complex chemical process. Then you have the subject, a baseball player, an emerging figure of athletic labor and public consumption. But the context is paramount; Goodwin & Company understood that they could use this new iconography and technology to manufacture desire through connecting smoking with aspirational figures like athletes. Editor: So you're saying the photograph itself is part of the "material" we should be considering? Curator: Precisely! It's not just an image, but a manufactured object intended to be consumed alongside another manufactured product. And look at the materiality of Galvin’s image – this baseball player produced, packaged, and sold like the cigarette, with the photograph capturing a form of labor reduced to commodity. What implications does this have? Editor: That’s… unsettling. Thinking about it that way, it raises questions about the ethics of image making at the time, too, since cigarettes have known health risks. Curator: Exactly. How does that shift your perception of the image, and its impact? Editor: It's made me think less about the aesthetics and more about the machinery of consumer culture being built around it. The baseball player is just part of the package. Thank you for enlightening me about its implications and layers of meaning! Curator: And now I see this artifact's connection to contemporary anxieties regarding commodification, and marketing’s impact on self-representation! A shared, symbiotic insight – invaluable.
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