The Beginning of Miracles: XVII 1953

This is a screenprint by Corita Kent, who was a Catholic nun and graphic artist. It uses a process rooted in commercial printing. Screenprinting involves pushing ink through a stencil onto paper. What’s interesting here is how Kent uses this relatively accessible technique to create images with great visual power. The screen printing process, often associated with mass production, here becomes a vehicle for personal expression and social commentary. The rough textures and layering of colors also add a tactile quality to the work, reminding us of the hand-made, even though it's made with industrial processes. Kent was deeply engaged with social justice issues, and her art often incorporates text and imagery related to themes of peace, poverty, and equality. The graphic style of her prints allowed her to communicate these messages to a broad audience, blurring the lines between art, activism, and popular culture. Ultimately, Kent's work underscores how materials and making can be powerful tools for communication, challenging the traditional boundaries between fine art and craft.