Zittende man, naar links gewend, met hoed, snor, sabel en pijp c. 1650 - 1675
drawing, pencil
portrait
drawing
dutch-golden-age
figuration
pencil drawing
pencil
portrait drawing
genre-painting
Dimensions: height 272 mm, width 171 mm
Copyright: Rijks Museum: Open Domain
Curator: Looking at this drawing by Cornelis Bega, created sometime between 1650 and 1675, I am immediately struck by how grounded the figure seems. What's your first take? Editor: It’s got this air of quiet observation about it, doesn’t it? The man seems lost in his own thoughts, or maybe just… resigned. I’m getting melancholy vibes here. Curator: Melancholy perhaps, but also self-possessed, I think. The artist used a pencil to capture a sitter sporting a rather fetching hat, sporting also a magnificent mustache and holding a pipe—there’s a hint of swagger despite his relaxed pose. Editor: I see your point. The detail in the folds of his clothing is remarkable, particularly for a simple pencil drawing. There's an attentiveness there, a precision that elevates it beyond a mere sketch. The diagonal lines creating the background seem to imply the angle of repose in which this man sits. But who was he? Curator: That’s the delicious mystery, isn't it? Is this a character study, or a portrait? Bega was known for his genre scenes, everyday life, that sort of thing. I imagine him stumbling across this fellow in an inn and capturing the scene, the pose, so precisely. The work now lives at the Rijksmuseum. Editor: So, a slice of life from the Dutch Golden Age frozen in time. It's interesting how Bega uses light and shadow. See how he uses heavier lines to define the contours, then softer strokes for the shading, which creates depth and volume in an otherwise flat medium? It makes you wonder about the physical act of creating this image – his choices and the tools and how each relates to what’s conveyed, right? Curator: Absolutely. There's such a sense of immediacy here, and intimacy as well. To imagine him sitting there with the sitter—pencil scratching across the page... you can feel it, somehow. What a privilege to connect with the past in such a personal way. Editor: In short, Bega shows with remarkable efficiency the fleeting beauty and weight in simply, sitting, smoking and being. Nicely observed, artist, and us too, eh?
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