Baby 1930

Sanyu made 'Baby' with ink and color on paper. The surface of the paper is allowed to peek through the delicate washes, like a memory just barely surfacing. And then there's that confident black line carving out the baby’s form. It's bold, almost cheeky. The line isn't trying to mimic reality, but rather declare itself. Look at the ear, that single, looping gesture. It's not about anatomical correctness, but about capturing the essence of an ear, the idea of an ear. It reminds me of Matisse in its simplicity. The color palette is a whisper, all muted pinks and creams, which gives the whole piece a tender, nostalgic vibe. It’s a snapshot, but also a feeling, a kind of abstract expressionist take on portraiture. You could see this as a precursor to some of Elizabeth Peyton's intimate, gestural portraits. Both artists understand that a painting is more than just a likeness, it's a conversation, a dance between intention and accident.