Dimensions: height 84 mm, width 100 mm
Copyright: Rijks Museum: Open Domain
Editor: This engraving, “Vrouw met een ontblote borst,” created sometime between 1740 and 1800 by an anonymous artist, is surprisingly intimate. It depicts a woman with an exposed breast in an oval frame. What strikes me is the detail achieved through the engraving process itself. What do you see in this work? Curator: For me, the engraving medium is central. We often separate "high art" like painting from "craft" like printmaking. However, an engraving like this necessitates a complex labor process – the artist, the engraver, the printer – all contributing to its creation and distribution. The material itself – the metal plate, the ink, the paper – and the repetitive action of mark-making using a burin, all emphasize its mass production, circulating imagery that affects cultural values. It's erotically charged, but through a specific material means and accessible due to reproductive technology. What does it mean that an image like this was multiplied? Editor: That’s fascinating! I hadn’t considered the social implications of engraving. The act of reproducing the image and making it available really shifts the power dynamic. Was this common to depict such intimate scenes at that time? Curator: Remember that the Baroque era valued ornamentation and spectacle. Even the “erotic” was consumed within that context. Was it challenging norms? Maybe. But it's important to see it not as purely subversive but rather a product consumed within a particular class structure. Who had the means to acquire and display such engravings? Were women involved in their production and reception? Editor: I see what you mean. I was focused on the individual depiction, but now I am also thinking about the labour and process of creation and distribution, the social networks through which the work became part of the material culture. Thank you! Curator: Exactly. Looking at art this way allows us to consider what forces contribute to it, not just artistry and patronage, but materiality, making, and marketing as well!
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