Diana bathing surprised by a Satyr
Listen to curator's interpretation
Curatorial notes
Rembrandt van Rijn made this painting of Diana bathing, surprised by a Satyr, in oil. Look how Rembrandt uses dark and light to create a sense of drama and intimacy. The colours are rich, earthy tones, and the brushwork is loose and expressive, as if he’s trying to capture a fleeting moment. You can almost feel the cool air of the forest and the warmth of Diana’s skin. Check out the contrast between the smooth, pale flesh of Diana and the rough, textured bark of the trees. The paint is applied in thick, buttery layers, particularly in the highlights on Diana's body. Notice how Rembrandt uses light to draw our eye to her, making her the focal point of the painting. It reminds me of Caravaggio, and his theatrical use of light and shadow. What a painting. It's a reminder that art is an ongoing conversation, and that each artist builds upon the ideas of those who came before.