Copyright: © Bill Viola Studio | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Bill Viola's *Five Angels for the Millennium*, a video artwork from the Tate collection. It's fascinating how he captures bodies submerged in water. What is your interpretation of this artwork? Curator: Think about the materiality of video itself. What does it mean to see bodies dissolving and reforming through this medium? Viola focuses on the material process, the labor of making this ephemeral image, and how it reshapes our perception. It is about the consumption of digital experience. Editor: So you're saying the medium itself is part of the message? I hadn't considered that. Curator: Exactly. By emphasizing the technological production, Viola challenges traditional ideas. This piece makes us question the value and process involved in creating art. Editor: I see. Thanks for the insights.
http://www.tate.org.uk/art/artworks/viola-five-angels-for-the-millennium-t11805
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Five Angels for the Millennium is an installation comprising five videos projected at a large scale directly onto the walls of a dark gallery space. The videos are individually titled Departing Angel, Birth Angel, Fire Angel, Ascending Angel and Creation Angel. Each video features a clothed male figure rising out of and plunging into a pool of water at irregular intervals, as well as hovering over it in between these movements. In all five films the action is presented in slow motion, and in each one the man and the water are shown in a single colour that changes over time in each film between a range of blue and green tones and a dark, blood red. These hues are accentuated by contrasting areas of bright white and pitch black. The five videos play simultaneously, but they are not synchronised and each is repeated on a continuous loop, so that the figures are seen repeatedly moving in and out of the water. Each projection is accompanied by an individual audio track featuring underwater noises that gradually reach a crescendo that culminates in ‘a sudden explosion of light and sound’ as the figure emerges from the water (Viola in J. Paul Getty Museum 2003, p.146).