A Jan Steen Kitchen by  Jonathan Leaman

A Jan Steen Kitchen 1995 - 1996

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Dimensions: support: 1235 x 1705 mm frame: 1286 x 1759 x 53 mm

Copyright: © Jonathan Leaman | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Jonathan Leaman’s piece, "A Jan Steen Kitchen," currently at the Tate, certainly presents us with… a lot. Editor: Yes, an initial impression is quite overwhelming. The composition is incredibly dense and chaotic, a riot of activity filling nearly every corner. Curator: Absolutely. It's a fascinating commentary, I think, on the domestic sphere—the kitchen becoming a stage for intergenerational dynamics, mirroring the Dutch Golden Age paintings, especially those of Jan Steen, in its portrayal of family life and social commentary. Editor: I see what you mean, though the color palette and diffused lighting create an almost dreamlike quality, softening the potential harshness of the scene. It's less about stark realism, more about a psychologically charged space. Curator: The setting does seem to point to something beyond surface realism. The way Leaman uses domestic mess could comment on the broader messiness of familial and societal structures and expectations. Editor: A fascinating consideration. The tension between the visual chaos and underlying order invites ongoing observation.

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tate about 2 months ago

http://www.tate.org.uk/art/artworks/leaman-a-jan-steen-kitchen-t07312

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tate's Profile Picture
tate about 2 months ago

Leaman is a great admirer of detailed narrative paintings from the seventeenth and nineteenth centuries, and like those works his own is crammed with meaning and incident, both emotional and spiritual. The title of this painting refers to The Fat and the Lean Kitchen by the Dutch artist Jan Steen, a work which depicts a riotous and debauched domestic gathering painted to warn against the dangers of excess and immorality. Leaman uses his family and friends as models and here has placed them in a kitchen reacting to menacing events. There is also Christian imagery present on the table, from the discarded lily to the spilt red wine. The entire scene is steeped in a yellow light which reinforces its mysterious atmosphere. Gallery label, August 2004