Golgotha c. 1927 - 1948

Curator: William Johnstone’s large canvas, titled “Golgotha,” presents an abstract take on a profoundly symbolic site. The work is part of the Tate Collections. Editor: The subdued palette, primarily blues and browns, sets a somber tone. The fragmented forms seem to hover, creating an atmosphere of unease, don't you think? Curator: Absolutely. Johnstone’s interest in spiritualism and theosophy deeply influenced his artistic production. Considering the traditional association of Golgotha with suffering and sacrifice, the formal abstraction could be read as reflecting a modern crisis of faith. Editor: I agree. Yet, it also draws attention to the materiality of paint, the texture, and the deliberate compositional arrangement. Note the geometry and its complex interplay. Curator: We should also acknowledge Johnstone's role as an educator. He significantly influenced art education in Britain. His position at Camberwell School of Art allowed him to promote an understanding of abstract art to a new generation of artists. Editor: Its subtle yet potent visual language certainly leaves an impact. The work invites contemplation and discussion. Curator: Indeed, a testament to Johnstone's ability to intertwine personal vision and broader cultural narratives.