Heilige Hieronymus Aemilianus deelt voedsel uit aan wezen 1748 - 1752

Giovanni Domenico Tiepolo made this print of Saint Jerome Aemilian feeding orphans. The image creates meaning through both visual and cultural codes. Made in Italy in the 1700s, the setting is framed by classical architecture and overshadowed by a crucifix, underscoring the role of the church and its religious figures in the social fabric of the time. Notice the orphans are shown kneeling, while Jerome remains standing. This is a reminder of the strict social hierarchies within Venetian society. As art historians, we consider the cultural, religious, and historical context of an image like this. A deep dive into the archives of the church might reveal how the image was used to promote charity and reinforce social norms, or perhaps even to critique them. By looking at the institutional forces at play, we can develop a deeper appreciation for art's role in shaping society.