Paul Tucher von Simmelsdorf und Winterstein c. 18th century

Curator: This engraving, "Paul Tucher von Simmelsdorf und Winterstein" by Bernhard Vogel, presents a figure ennobled by both military stature and divine endorsement. What strikes you about it? Editor: Well, I immediately noticed the striking combination of the sitter's armor with the cherubic figures. It feels like a statement about power, maybe? What was the societal role of these types of portrait engravings? Curator: These portraits served as powerful tools for social mobility and legacy building. Displayed publicly, they reinforced the sitter's status and projected an image of authority legitimized by both earthly power and divine favor. Consider the institutions that commissioned and circulated these images. Editor: So, it's not just art, but almost propaganda? Curator: Precisely. It reflects the complex interplay between art, power, and public perception in the 18th century. Thinking about it that way really changes how I see this image. Editor: Absolutely. I’m glad I asked!