A specification of the plates of the fountainhouse of Acqua a Giulia. Text sheet by Giovanni Battista Piranesi

A specification of the plates of the fountainhouse of Acqua a Giulia. Text sheet 1761

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drawing, print, etching, engraving

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drawing

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print

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etching

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italian-renaissance

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engraving

Dimensions: 593 mm (height) x 445 mm (width) (bladmaal)

Curator: Welcome. We're looking at "A specification of the plates of the fountainhouse of Acqua a Giulia. Text sheet," an etching and engraving dating back to 1761 by Giovanni Battista Piranesi. Editor: Woah, it's all text! I'm immediately struck by the sheer density. It’s like stumbling upon a beautifully designed architectural plan, except instead of blueprints, we're faced with meticulous descriptions. I'm curious, what's the story here? Curator: Indeed. Piranesi was renowned for documenting Roman antiquities and architectural feats. This particular print is a text sheet which elucidates different plates, that illustrate in details of the fountainhouse. Editor: A fountainhouse? It's almost like he's giving instructions to rebuild it from scratch, but in 18th century speak! The way the information is structured, sectioned into "tavolas", makes me think this sheet has almost instructional character to it. I can imagine craftsman carefully poring over these diagrams in preparation for a work of construction. Curator: Exactly! And beyond mere functionality, these prints catered to the growing interest in Roman architecture during the Renaissance. The level of detail signifies this rediscovery and appreciation for Roman designs and aesthetic. The text is thus not only descriptive but also celebratory, underlining Rome’s significance. Editor: I love that idea. I am getting a sense of longing for a perceived ideal age or a glorious history. And by creating these detailed documents of actual places, Piranesi invites viewers on their own mind journeys. Do you get the sense that they evoke a sort of idealized urban experience? Curator: Absolutely, these architectural prints offer not only a visual record of urban and architectonical heritage but serve as cultural statements, subtly advocating for its place in architectural design of the time and future architectural imagination. Editor: It seems very comprehensive—almost a love letter to meticulous architectural knowledge. You walk away not just understanding something, but truly appreciating it.

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