Let In 1998

Curator: This is "Let In" by Per Inge Bjørlo. Editor: My first impression is that the stark contrast and rough lines evoke a sense of unease, like something struggling to break free. Curator: It’s interesting you say that. Bjørlo often explores themes of confinement and liberation in his work, using abstraction to represent psychological states. Editor: The composition, with its fragmented grid and amorphous shape, certainly suggests a disruption of order, and a shift in perception. The black ink splatters disrupt the formal structure. Curator: Indeed. This piece could be interpreted as a commentary on the challenges individuals face when trying to assert their identities within restrictive social frameworks. What does it mean to "Let In"? Editor: I see how the title might relate to the themes you've mentioned. For me, the interplay between the rigid lines and the fluid form creates a dynamic tension that is the picture's strength. Curator: I agree, it's a compelling piece that invites us to consider the power dynamics at play in our own lives. Editor: Ultimately, Bjørlo pushes us to question the nature of boundaries.