Pauline Markham, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Pauline Markham, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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drawing, print, photography

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portrait

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drawing

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art-nouveau

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print

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photography

Dimensions: Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Copyright: Public Domain

Editor: This is a trade card from 1890, featuring Pauline Markham, as part of the Actresses series by Kinney Brothers to advertise Sweet Caporal Cigarettes. It has a sepia tone, and she's posed so confidently, but I wonder what the deeper context is here. What do you see in this piece? Curator: This image, seemingly innocuous, exists at a fascinating intersection of commerce, celebrity, and the evolving roles of women in the late 19th century. These trade cards were hugely popular and served to promote not only the cigarettes but also a particular ideal of feminine beauty and public persona. The Art Nouveau style aesthetic, with its flowing lines, enhanced this appeal. Editor: So, how does situating it in a broader context affect its interpretation? Curator: Well, we need to unpack the layers. Markham was a stage actress, a performer, someone who occupied a public space, challenging Victorian norms about women's confinement to the domestic sphere. However, she's also being used to sell cigarettes. So, who is benefitting, and at whose expense? What societal expectations or prejudices are being reinforced, or subtly subverted? Think about it – she’s both empowered and objectified simultaneously. Editor: It’s a lot more complicated than I initially thought! It's interesting to see how commercial images can reflect societal tensions. Curator: Exactly! By exploring these intersections of gender, commerce, and performance, we can gain valuable insight into the complex social dynamics of the time. Editor: Thanks. I'll never look at a cigarette card the same way again.

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