Psyche in the Underworld c. 1735 - 1739

Charles-Joseph Natoire painted Psyche in the Underworld using oil paints and canvas, common materials for the time. What's fascinating here is how Natoire uses the qualities of oil paint – its ability to blend and create luminous effects – to depict a scene from classical mythology, making the underworld almost dreamlike. Notice the smooth, almost porcelain-like finish he achieves, especially in the figures' skin; this wasn't just about representing flesh, but also about demonstrating technical skill, a kind of labor in itself. Oil paint allowed for layering and corrections, which was crucial for such an elaborate composition. The final effect elevates the subject, aligning Natoire’s craft with the aspirations of high art. It's a good reminder that even seemingly straightforward materials come loaded with cultural meaning and social context.