Tandarts aan het werk by Justus van den Nijpoort

Tandarts aan het werk 1635 - 1692

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engraving

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portrait

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dutch-golden-age

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pencil drawing

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line

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portrait drawing

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genre-painting

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engraving

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realism

Dimensions: height 206 mm, width 239 mm

Copyright: Rijks Museum: Open Domain

Curator: Yikes, well that’s... intense. The poor fellow looks like he's about to have more than just a tooth pulled! Editor: We're looking at "Tandarts aan het werk", or "Dentist at Work", an engraving created sometime between 1635 and 1692 by Justus van den Nijpoort. It offers a rather visceral glimpse into early dentistry. Curator: Visceral is definitely the word! There's such an incredible flurry of activity. A portrait that just pulses with an immediacy of the moment! The staging of characters feels both performative and like... watching a play with one’s hands over their eyes. I adore that. Editor: Indeed. Van den Nijpoort masterfully orchestrates the composition. Note how the strong diagonals draw your eye across the scene, connecting the agonized patient with the dentist and the bustling onlookers, all set against a meticulously detailed architectural backdrop. We can really dig into the relationships suggested, and the lines' symbolic meanings. Curator: You can analyze it until the cows come home, but really this speaks of the experience itself, no? All those worried faces. It is quite lovely though, in a macabre sort of way, how this torture chamber seems smack-dab in the center of an otherwise serene village. Is that distillation equipment just behind him there? Maybe this dentist moonlights as something...ahem...else! I would definitely trust that liquid to take my pain away after THAT! Editor: One reads the juxtaposition between medical, domestic, and mercantile domains as the artist showing multiple sides of Dutch society at that moment. Curator: Right, right...It certainly paints a picture of Dutch Golden Age life. Editor: And as an engraving, it displays the meticulous craft involved in printmaking during this era—look at the fine lines used to create tonal variations and textures. I wonder what one's teeth felt like! Curator: Yes! Every last shadow rendered through such painstaking intricacy—like the perfect etching on my molar when I need a crown next week. But, if all I’m seeing here today comes from looking closer at something so deceptively everyday. Thanks to Van den Nijpoort! Editor: Indeed, a prime demonstration of form meeting meaning. It's also about the period. It's just, something, maybe about society. I feel, somehow, like, if only...Thank you too, as well. Bye!

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