Two small dogs 1571 - 1631

Curator: These two little dogs appear quite stiff; there’s something unnatural about their pose and expressions. Editor: Indeed. Let me introduce this delightful piece, "Two Small Dogs" by Jacob Matham, likely created between 1571 and 1631. It's a print, showcasing his skill with the pen. Looking closely at the cross-hatching, what can you tell us about its creation? Curator: The method suggests a dedication to precise rendering, even mass production through printing techniques doesn't diminish the artist’s control over material, ensuring a uniform impression. These weren't luxury items, prints served a broader viewership beyond elite circles. Editor: That's a great point about accessibility and speaks to the growing market for imagery in Matham's time. And, do the dogs themselves signify anything to you, culturally or socially? Curator: Well, dogs often symbolized loyalty and companionship in art. Their inclusion might be to offer moral lesson, perhaps mirroring human virtues or, depending on its owner, a material investment within a very privileged societal echelon. Editor: Or perhaps a satirical commentary? Those somewhat mournful expressions certainly lend themselves to different interpretations. The backdrop also is fairly interesting, as it appears there’s what might be interpreted as architectural forms, ruins even! Curator: Contextualizing these canines historically might illuminate elite pastimes but it is ultimately within its status as a commercially produced artefact that allows us to gain more awareness to the society and markets in that particular moment. Editor: Interesting; the politics of accessibility versus intrinsic merit comes to the fore! Looking at this pen work, the nuances achieved remind us of the debates concerning value that art has both now and then. Curator: Agreed, it showcases both detailed artistic labor and its purpose in contributing within an active culture and economy, blurring boundaries of artistic importance and function within material society. Editor: A wonderful note to end on—thank you for helping us consider this drawing through a fresh, socially conscious lens.