Allegorie op de Vrede van Breda, 1667 1667

This allegorical print celebrating the Peace of Breda in 1667 presents a layered vision. Above, in a celestial sphere, allegorical figures unite, framed by angels bearing a banner of triumph, while below, scenes of conflict give way to symbols of peace and prosperity. The joining of hands, a motif seen in classical depictions of concordia, evokes a sense of unity and agreement. This gesture, prevalent since ancient Roman art, aimed to visually bind opposing forces. Yet, even in apparent harmony, unease lingers. Consider how this symbol also appears in funereal art, reminding us that peace is often born of strife, and every triumph carries the weight of past losses. Here, the artist captures the delicate balance between celebration and remembrance, engaging us in a deep, subconscious recognition of history's cyclical nature. This is not merely a depiction of peace; it is an exploration of the human psyche's complex relationship with conflict and resolution, passed down through time.