Colonel Woodburn of the Bengal Artillery by George Chinnery

Colonel Woodburn of the Bengal Artillery c. 1803

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Dimensions: support: 476 x 375 mm frame: 662 x 560 x 85 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have George Chinnery’s oil on canvas portrait, Colonel Woodburn of the Bengal Artillery, now residing at the Tate. Editor: There’s a palpable sense of dominion here. He seems entirely at ease within this space, almost as if he is one with the landscape. Curator: Absolutely. The cross of red across his body makes an interesting X shape. Also, observe how Chinnery uses the tonal arrangement to draw the eye upward. Editor: The figure's posture and the slightly blurred landscape evoke a sense of both authority and adaptation. What does the landscape mean to him, what does he take from it? Curator: Perhaps it implies a successful navigation of the landscape—both literally and figuratively. Editor: It is hard not to read something of empire in that reading. The man, in his uniform, made to match the landscape. Curator: Well put! Chinnery’s manipulation of form and colour offers a rich field for analysis, just as the colonel's placement suggests layers of meaning.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/chinnery-colonel-woodburn-of-the-bengal-artillery-t01910

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tate 3 days ago

Britain’s military and administrative presence in India provided a wealthy market for painters prepared to travel there. Chinnery worked in India from 1802 until 1825, and established a distinguished portrait practice. The Bengal Artillery had been founded in the middle of the eighteenth century, as Britain stepped up its military role on the subcontinent. The vegetation around the Colonel, especially slender palm tree visible on the left, is clearly non-Western. Nevertheless this portrait is basically a conventional image of a military officer, posed informally. Gallery label, August 2004