George III (1738-1820) c. 1787

Curator: My first thought is...clinical. The stark white against the pale background, it's like a porcelain mask. Editor: This is a portrait of George III, molded in jasperware by Wedgwood. It's fascinating to consider how this medium, often associated with luxury goods, was used to immortalize a monarch during a time of great social upheaval. Curator: The frame is so ornate, bordering on gaudy, which feels at odds with the restrained profile within. Does it speak to the conflicting perceptions of the king? Editor: Perhaps, but it also reflects the aspirational tastes of Wedgwood's clientele, eager to align themselves with royalty. It’s a deliberate act of branding, connecting the monarchy with British craftsmanship. Curator: It's a strange dance between propaganda and artistry, a frozen moment in a teacup storm. Editor: Indeed. It serves as a reminder of how power and aesthetics intertwine, crafting narratives that continue to shape our understanding of history.