Cherry Blossoms at Night on Naka-no-chō in the Yoshiwara by Utagawa Hiroshige

Cherry Blossoms at Night on Naka-no-chō in the Yoshiwara c. 1832 - 1838

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print, ink, woodblock-print

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print

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ukiyo-e

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ink

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woodblock-print

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orientalism

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cityscape

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genre-painting

Dimensions: 8 3/4 × 13 9/16 in. (22.2 × 34.5 cm) (image, horizontal ōban)

Copyright: Public Domain

This woodblock print by Utagawa Hiroshige captures a night scene in Yoshiwara, spotlighting cherry blossoms under a full moon. These blossoms, known as sakura, symbolize not just beauty and renewal but also the ephemeral nature of life, a poignant memento mori. The cherry blossom motif extends far beyond this street; it echoes through centuries of Japanese art and poetry, as an emblem of spring. Yet, its fragility and brief bloom have also served as a meditation on human existence, seen through the lens of Buddhist philosophy. Consider how this symbol of transient beauty contrasts with its use in military contexts, representing the brief, glorious life of a samurai. The sakura is not fixed; it is ever-changing, adapting to the emotional landscape of each era. Here, amidst the lively Yoshiwara, the blossoms invite a moment of reflection. The cycle continues, as these symbols resurface, evolve, and take on new meanings in different historical contexts.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Along with the fish market at Nihonbashi and the Kabuki theater district, the Yoshiwara licensed pleasure quarter was one of the busiest areas in Edo. This print depicts the Yoshiwara's main street after sunset, when business began to pick-up. Flowering cherry trees line the roadway. Such trees were transplanted to the area just as they came into bloom-thus providing a beautiful atmosphere, especially by lantern light. Cherry blossom viewing at night in Yoshiwara was, in fact, an annual event organized by the area's proprietors to attract visitors and boost business. Here, Hiroshige depicted people who might be encountered during a typical night in cherry-blossom season. There is oiran, a high-ranking prostitute wearing an orange gown, accompanied by her attendants. A man in a black haori coat is shown eyeing her appraisingly over his shoulder. Yet another prostitute (in a blue gown) and her attendants approach from the right.

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