Kopvignet met kikvorsen in 'Kunst en samenleving' 1893 - 1927

This headpiece with frogs in 'Art and Society' was created by Gerrit Willem Dijsselhof, using what looks like a woodcut technique. It's fascinating how Dijsselhof uses simple shapes to create a complex, almost hypnotic pattern. Look at the way the frogs are arranged, how their bodies curve and repeat, creating a rhythm that’s both natural and stylized. The texture has a handmade feel, you can almost see the marks of the cutting tool, which adds to its charm. This isn’t about perfection, it’s about the process, the act of making. The stark contrast between black and white creates a bold visual impact, emphasizing the graphic quality of the piece. I keep coming back to the eyes of the frogs. Those dark circles draw you in, creating a focal point amidst the swirling patterns. I am reminded of the Vienna Secession artists like Gustav Klimt, who also embraced decorative elements and explored the intersection of art and nature. Like them, Dijsselhof seems to be suggesting that art and life aren't separate things.