drawing, ink, engraving
drawing
allegory
baroque
figuration
ink
engraving
erotic-art
Dimensions: height 88 mm, width 72 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have an anonymous 17th-century ink drawing, "Vignet met een zeemeermin in een geornamenteerd ovaal"—"Vignette with a mermaid in an ornamented oval." There's something slightly unsettling about the scene... it feels almost voyeuristic, with the mermaid gazing at her reflection. What do you see in this piece? Curator: That initial discomfort is interesting and important to unpack. Considering the context of the 17th century, images of mermaids often carried allegorical weight, signifying both beauty and danger, or vanity, a distinctly gendered and moralising association. How does the mirror she holds contribute to your understanding of that gaze and the composition as a whole? Editor: Well, it definitely highlights this idea of vanity... she seems preoccupied with her appearance, confirming those older misogynistic stereotypes. But I also wonder if there's a defiant act here? Maybe she's reclaiming her image in some way? Curator: Exactly! By the act of beholding her own beauty, the mermaid potentially subverts patriarchal control. This is also in the midst of colonialism; do you think about what this image signifies in terms of colonial narratives of exoticising, viewing, and controlling the "other"? Editor: I hadn't considered it in those terms... It's complex, she is framed by ornamentation, almost contained by this frame. The power dynamics must shift between beholder and beheld? I do see what you're suggesting. I like the possibility of seeing a bit of agency or commentary. Curator: Agency and active beholding are always possibilities that reveal how historical frameworks of exploitation may be undone. By re-contextualising art history with feminism, intersectionality and postcolonial theory, new ways of engaging and making our present and future arrive. Editor: I hadn’t initially picked up on those complexities. Thank you! Now it’s not only more challenging, but it also shows potential narratives. Curator: My pleasure; that is art's revolutionary power!
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.