Cordiali saluti dell'Entropia-Errore 1963

Gianfranco Baruchello made "Cordiali saluti dell'Entropia-Errore" with delicate lines and subtle textures. I imagine him carefully building up the surface, a quiet and thoughtful process of layering and revealing. The pale palette is punctuated by geometric shapes in Prussian blue and meandering, worm-like forms in green. These graphic elements feel like a private language, a collection of signs and symbols waiting to be deciphered. It's not unlike the visual poetry of Paul Klee or the surrealist landscapes of Joan Miró. Those fine lines shoot out like synapses, connecting the disparate forms and guiding the viewer's eye across the canvas, suggesting possible narratives and associations. There's a real sense of play here, an openness to chance and the unexpected, as though Baruchello is inviting us to join him in a game of visual free association. Ultimately, painting is about possibilities. It's a conversation across time, where artists borrow, steal, and transform, creating something entirely new from what came before.