Mannen en vrouwen met verschillende beroepen by H. Partout

Mannen en vrouwen met verschillende beroepen 1769 - 1789

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drawing, paper, pen

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portrait

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drawing

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light pencil work

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quirky sketch

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paper

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personal sketchbook

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idea generation sketch

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sketchwork

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sketchbook drawing

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pen

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genre-painting

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history-painting

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storyboard and sketchbook work

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sketchbook art

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fantasy sketch

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realism

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initial sketch

Dimensions: height 203 mm, width 367 mm

Copyright: Rijks Museum: Open Domain

Editor: We're looking at "Mannen en vrouwen met verschillende beroepen," made sometime between 1769 and 1789 by H. Partout. It’s a pen and pencil drawing on paper, depicting what seems like different professions, with light shading to create shape. It’s really charming! What do you notice about its formal qualities? Curator: The sheet is organized as a grid, but notice how each figure is contained within its own implied square, a formal device that isolates them for consideration. How does this structured repetition of form affect your viewing experience? Editor: I think it makes me consider them almost like specimens, examples of types, more than individual portraits. Curator: Precisely. The figures' gestures, and the objects they hold, direct our sightline within these contained forms. Consider the man with his hat extended, juxtaposed with the figure to the lower left. Observe the orientation of the open hand as it mirrors his posture, almost forming a dialectic relationship between them. What impact does that symmetry achieve, do you think? Editor: I see what you mean about the gestures echoing. It’s like there’s a conversation between them even though they're separated. It kind of gives them each more weight, somehow. It elevates them past basic documentation. Curator: And note how the light pencil work enhances the linearity of the pen strokes, lending itself to clear figuration while simultaneously reminding the viewer that this image exists in only two dimensions. Editor: I hadn’t thought about the flat perspective so much! So even with the detailed figures, it’s really focused on the line and the design of the page overall. Curator: Indeed. And this concentrated design adds an unexpected layer of richness. Editor: I learned so much. The idea of figures mirroring each other and echoing through poses to build greater connections across an organized tableau feels really insightful. Curator: Analyzing form gives you the ability to have these insights, and it reveals so much about how an artwork achieves its effects.

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