photography
portrait
photography
historical photography
group-portraits
genre-painting
realism
Dimensions: height 102 mm, width 159 mm
Copyright: Rijks Museum: Open Domain
Henry Pauw van Wieldrecht made this albumen print, a 'Hunting Scene | Group Portrait,' sometime between 1880 and 1910. The sepia tones come from the chemical process used to develop the image on paper coated with egg white. This was a popular method for producing photographs in the late 19th century because it created sharp, detailed images. The materiality of the print itself reflects a moment in time when photography was becoming more accessible, yet still required specialized knowledge and equipment. Looking at the photograph, we see a group of men, presumably wealthy given their attire and sporting rifles. The photograph captures not just a scene, but a social context, a culture of leisure and privilege. The image serves as a material record of class, labor and consumption, hinting at a wider social hierarchy in which hunting was a pursuit reserved for the elite. Ultimately, this photograph is a powerful reminder that every artwork is rooted in a specific time, place, and set of social relations, and that paying attention to materials, making, and context can deepen our understanding.
Comments
This is a selfie from 1888. The photographer (right) lies on the ground and holds a cable release. He and his family members are clearly enjoying themselves. They look relaxed and not as stiff and posed as was usual in portraits around this time. An important aspect of amateur photography is that it enabled engaging so closely with personal life.
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