Princess Amelia (1783-1810) c. 18th century

Editor: Here we have James Tassie’s "Princess Amelia," a small portrait, likely from the late 18th century. It's so petite, almost jewel-like. What strikes you about this cameo? Curator: Its size is key; these miniature portraits were intensely personal objects. Notice how the profile evokes classical sculpture, linking Amelia to ideals of beauty and virtue. Do you see how this echoes across centuries, a cultural memory embedded in form? Editor: Yes, the profile does lend a timeless quality. So, was this a common way to portray royalty? Curator: Absolutely. The cameo served as a powerful symbol, reinforcing social hierarchy while also allowing for intimate connection. Consider the psychological weight of owning such an object – a tangible link to power and lineage. What emotions does it stir in you? Editor: A sense of intimacy, maybe, but also distance. I'm fascinated by how it encapsulates both. Curator: Precisely. It’s a concentrated dose of cultural memory, isn't it? Editor: Definitely a new perspective for me. Thanks.