Saul and the Witch of Endor 1866

Editor: Here we have Gustave Dore's "Saul and the Witch of Endor," created in 1866. It appears to be an ink drawing or engraving. The intense detail achieved with simple black ink is remarkable, giving the scene a palpable sense of unease and drama. What draws your eye in this piece? Curator: As a materialist, my interest lies in understanding the physical creation of this work and its relation to the broader societal context. The mass production of engravings in the 19th century allowed for the wide dissemination of biblical scenes, impacting popular belief and moral understanding. How did the availability of such images affect religious practice, do you think? Editor: That’s a really interesting point! I never thought about the effect that wider circulation could have had. Were there other ways Dore’s artistic choices affected its interpretation? Curator: Absolutely! Dore’s choice of engraving facilitated mass production, making art accessible but simultaneously potentially diminishing the 'aura' of a unique, handcrafted artwork. Consider the socio-economic conditions of artists then. Engraving was a means to earn a living and reach a broad audience. Can we then consider it 'high' art or a craft rooted in labor and economics? Editor: I guess it's both! Seeing how the technique influences access and artistic standing gives me a totally new way to approach this image. I see how his artistic choices create something distinct, though informed by economics and the intended market for this scene. Curator: Exactly! Reflecting on the materials and modes of production unveils critical perspectives, offering rich insights beyond traditional art historical analysis. The intersection of labor, skill, and cultural transmission, all materially evident in this engraving, provides an essential layer to our understanding of Dore and his time. Editor: I will definitely carry this perspective forward. Thanks!