Christ before Caiphas c. 1608 - 1653

Editor: This is Abraham Hogenberg's "Christ before Caiaphas," a print from the early 17th century. The density of the etched lines creates a dramatic scene. What can you tell us about it? Curator: Look closely at the materiality of this print. The incised lines, the paper itself – they reveal a process of mass production, of disseminating religious narratives to a wider audience. How does the reproduction affect the artwork's meaning and the reception of this religious scene? Editor: So, it's not just about the image itself, but also how it was made and distributed? Curator: Exactly! The print becomes a commodity, a tool for shaping beliefs through accessible imagery. The economics and social context of its making are as important as its religious narrative. Editor: I never considered the economic side of religious art before. Curator: Thinking about the production and consumption of art opens up a whole new perspective.