Departure of the Israelites c. 17th century

Editor: This is Matthäus Merian the Elder's "Departure of the Israelites," made with etching, circa 1625. It's rather small, but so detailed. What strikes me is the ordered march contrasted with the chaotic jumble of figures in the foreground. How do you interpret this contrast? Curator: The piece showcases a sophisticated understanding of contrasting textures and lines. The density of cross-hatching in the foreground creates a sense of depth, sharply juxtaposed with the more linear, rhythmic representation of the receding multitude. Note how this use of line directs the eye. Editor: I see what you mean about the lines. So, the etching technique itself emphasizes the themes of order and chaos in the composition? Curator: Precisely. The very materiality contributes to the thematic content, revealing how formal qualities embody meaning. This tension elevates the print beyond mere illustration. Editor: That gives me a lot to think about. I'm starting to look at it very differently now.