Dimensions: support: 2195 x 2673 mm frame: 2340 x 2816 x 55 mm
Copyright: © ADAGP, Paris and DACS, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Raoul Dufy’s large painting, “The Kessler Family on Horseback,” presents a fascinating group portrait. There's no specific date for it. Editor: It's whimsical! The thin paint and visible canvas give it an airy feel, almost like a memory. Curator: Indeed. Dufy, with his background in decorative arts, often blurred the lines between fine art and design. The Kessler family were textile manufacturers; it makes you wonder about the commission and Dufy’s relationship to the industry. Editor: The quick, almost careless brushstrokes and limited palette speak to mass production. It’s interesting to think about how the manufacturing process mirrors Dufy's painting method here. Curator: It certainly challenges the notion of the artist as a solitary genius. Dufy was deeply embedded in the social and economic fabric of his time. Editor: Right. We see the Kesslers depicted with their wealth and status. The labor and materials are all there, in the final product. Curator: Looking at it through both our lenses offers a richer appreciation of the painting. Editor: Absolutely. It is a complex interplay of high art, craft, and social history!
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http://www.tate.org.uk/art/artworks/dufy-the-kessler-family-on-horseback-t05500
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Dufy, well known for his landscapes and animated crowd scenes, was commissioned in 1930 to paint this equestrian portrait of Mr and Mrs Kessler and their five daughters. He stayed briefly with the family at their country home in England, and made several preliminary studies, two of which are also owned by the Tate Gallery. This is the second of two versions of the finished work (the first was not entirely to the Kesslers' liking). It shows the artist's characteristic love of high-keyed colour and his use of a free-floating, almost hieroglyphic, line, inspired by Persian ornament. Gallery label, August 2004