Staande jager, op de rug gezien 1763 - 1826

This drawing, ‘Standing Hunter, Seen from the Back’ was made by Abraham van Strij with pen in gray ink and gray wash. The figure dominates the composition, his placement almost centered on the page gives him a certain importance, despite his anonymity. The hunter’s turned back conceals his identity and emotion, inviting viewers to imagine his thoughts and motivations. Linear strokes define the contours of the figure, while the gray wash provides shading that gives volume to the hunter's clothing. The artist's careful detailing of the folds and creases is visible on the hunter's tunic and breeches, adding a layer of realism. The use of a single color directs the viewer's focus towards form and texture, rather than chromatic distraction, it shows a structured approach. This formal choice allows for a deeper engagement with the semiotic potential of the hunter's figure, prompting questions about class, labor, and identity in the context of the 18th century. The drawing doesn't just represent a hunter, but also reflects larger cultural themes.