Commode 1770 - 1780

Editor: We’re looking at a “Commode,” made between 1770 and 1780, by Jean Henri Riesener. The materials are wood and marble. I am struck by its symmetrical arrangement, its highly ornamental features, and the contrast of light and dark wood. How do you interpret this work? Curator: We can decode its essence through form. Observe the rectangular structure elegantly juxtaposed with curvilinear embellishments—the ormolu mounts, the floral marquetry. Consider also the interplay of textures. The cold, smooth marble top sharply contrasts with the warmth and intricate grain of the wood veneer. The question then becomes, what do these intrinsic elements communicate? Editor: I see that Rococo influences are present, but I was wondering if this relates to the Neoclassical movement? Curator: Indeed. Note the rigid symmetry, the classical motifs, and the overall sense of order – hallmarks of Neoclassicism that superseded the excesses of Rococo. These stylistic markers create a sophisticated equilibrium. It's also relevant to consider its surface design, from veneers and gilding, because it signifies the function of this “commode,” an indicator of affluence and luxury within the late 18th century. What function do you think ornamentation plays? Editor: It is clearly decorative, enhancing the value of the piece as more than simply functional, signaling its status. I had never thought to look at a piece of furniture so closely. Curator: Precisely. The rigorous formality reveals cultural values. Analyzing these stylistic elements allows us insight to a deeper aesthetic experience. Editor: This experience of analyzing the composition makes me realize the influence this aesthetic has had on later styles, like Art Deco! Curator: Indeed, by carefully observing the interplay of form and ornament we come closer to understanding the underlying ideology of its period, one that would inform later styles.