Caricature Head of Man with Mustache [recto] by Mark Rothko

Caricature Head of Man with Mustache [recto] 

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drawing, pencil

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portrait

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drawing

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facial expression drawing

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light pencil work

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ink drawing

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caricature

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pencil sketch

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cartoon sketch

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figuration

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personal sketchbook

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ink drawing experimentation

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sketch

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pen-ink sketch

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pencil

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sketchbook drawing

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portrait drawing

Dimensions: overall: 27.9 x 21.5 cm (11 x 8 7/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Let's spend a moment with this drawing attributed to Mark Rothko, a “Caricature Head of Man with Mustache [recto].” Executed with pencil and ink, it provides an intriguing counterpoint to his more famous abstract works. Editor: My first impression is one of controlled chaos. The lines are frenetic, almost violently applied, yet they coalesce into a recognizable, if exaggerated, face. There’s a sense of unease, perhaps even a bit of mocking contempt. Curator: Absolutely. As a caricature, it relies on distortion to make a point. One might consider how societal norms and power structures inform Rothko's exaggeration of the subject’s features. Is it a critique of masculinity, a commentary on the banality of the bourgeois? Editor: It’s compelling to consider this within the context of Rothko’s biography. A Jewish immigrant who faced antisemitism, might his caricatures express a frustration with assimilation and societal expectations? Curator: Precisely. The role of caricature has historically been a way to reinforce social prejudices and marginalize minorities. It would be helpful to study which elements of the depicted subject are exaggerated, and why. This could lead us towards an understanding of broader social issues Rothko may have been addressing. Editor: I find it hard to separate the act of caricature from power dynamics. Even without specific historical context, there’s an inherent imbalance in the artist’s gaze and the subject’s vulnerability. We see not only the depiction, but a shadow of societal judgments, too. It almost begs us to think of race, class, and gender. Curator: And how those aspects intersect and influence perception. These types of drawings are typically completed on a quick and intimate basis. I think they act as cultural artifacts providing insight to the politics of identity. Editor: It reminds us that even in the artist’s sketchbook, the echoes of power resonate. It serves as a poignant commentary of social standing through what the artist chooses to enlarge. Curator: Thank you for enriching this conversation with historical depth. This quick sketch provides many new considerations of the social undertones presented in Rothko’s full artistic production. Editor: The complexity behind a seemingly simple drawing will resonate with listeners long after the audio ends.

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