Onderboezem c. 1675 - 1686

This print by Cornelis Danckerts, made in the Netherlands, depicts the human body with remarkable precision. Notice the prominent display of anatomical studies alongside geometric figures. These evoke Vitruvius's classical ideals of proportion and harmony, yet here, they dissect and reveal the inner workings of the body. Think back to Leonardo da Vinci's "Vitruvian Man," which similarly aimed to link human form to the cosmos through geometry. But while Leonardo sought a universal ideal, Danckerts presents a starker, more clinical vision. Consider how, in earlier times, the human form was often veiled in allegory and symbolism, representing spiritual or philosophical concepts. Here, however, the body is laid bare, challenging us to confront mortality. This dissection brings to mind the "memento mori" tradition, reminding us of death's inevitability. The body, once a temple, is now a subject of scientific inquiry. This cyclical progression, from sacred symbol to object of study, reflects humanity’s relentless pursuit of knowledge, forever oscillating between reverence and rationalism.