Vrouw in met bont afgezet kort jakje 1645

Editor: This is "Vrouw in met bont afgezet kort jakje," or "Woman in a fur-trimmed short jacket," an engraving by Wenceslaus Hollar, dating back to 1645. It strikes me as quite a formal, almost austere portrait, but her curly hair adds a touch of softness. What stands out to you in this work? Curator: Oh, it whispers stories, doesn’t it? For me, the delicate hatching that defines her face feels like a tender caress. There's a subtle tension between the sharp lines of her fur-trimmed jacket, which speak of status, and the almost vulnerable expression in her eyes. Do you notice the almost imperceptible downturn of her lips? It suggests a hidden depth. Editor: Yes, I see what you mean! The fur trim is clearly a sign of wealth, but that hint of sadness complicates the reading. Do you think this was a commissioned portrait, or something more personal? Curator: Ah, the million-dollar question! Hollar was a prolific printmaker, and often created portraits. This was very likely made on commission. But perhaps he saw something in her, something that resonated. Perhaps she reminded him of someone? After all, an artist always leaves a bit of himself in the work, like a fingerprint on the soul. Don't you think so? Editor: I've never thought of it that way before; an artist's fingerprint. That's beautifully put. I suppose there's a story to be told, whether commissioned or not, that goes far beyond just depicting appearance. Curator: Exactly! It’s like the artwork invites us into a world we could have never imagined. And who knows, maybe there is something very imaginative there! Editor: Well, that’s definitely given me a new perspective. I am going to start paying attention to lips more in Baroque portraits. Curator: Ha! May they always tell you interesting tales!