Gezicht op het Colosseum in Rome c. 1860 - 1880

Giorgio Sommer’s stereograph presents us with two views of the Colosseum in Rome, rendered in sepia tones. The symmetry of the image invites a unique viewing experience, as the architectural monument is doubled, prompting a comparative assessment of each perspective. The Colosseum dominates the scene, its ruined state a testament to the passage of time. Light and shadow play across the structure, accentuating the rough texture of its ancient stones. The use of stereography allows for an enhanced sense of depth, creating an almost tangible presence. Sommer was interested in capturing the essence of historical sites for a growing tourist market. Through the innovative technique of stereography, he aimed to provide a sense of being there. The doubling effect created is not merely about replication; it enhances our perception of the architectural space. The ruin is not just an object to be seen, but a site that can be conceptually entered. Consider how the composition invites you to explore the intersection of visual perception and the conceptual experience of architectural space.