Gezicht op het Damrak met de toren van de Oude Kerk c. 1903

George Hendrik Breitner made this energetic sketch of the Damrak in Amsterdam with charcoal on paper. Isn’t it something? The drawing is all about the push and pull of marks, a flurry of lines diving this way and that. Look at how Breitner uses the charcoal, sometimes pressing hard for a dark, assertive stroke, and other times letting it drift lightly across the page. The lines are raw, almost like he’s wrestling with the scene, trying to pin down the essence of the place. There is something so immediate in his approach. It's like he's saying, "Here, look at this – this is how it feels to be here, right now." It reminds me of some of Philip Guston's late work, where he just let it all hang out. And I love that this feels unfinished, like a moment captured mid-thought. It's like art is an ongoing conversation, not a final statement.