Paus Stephanus VI (VII) veroordeelt het lijk van paus Formosus 1782

This print, made by Reinier Vinkeles, depicts the Cadaver Synod of 897, a grim moment in papal history. Here, Pope Stephen VI puts the corpse of his predecessor, Formosus, on trial. Made in the Netherlands during the 18th century, Vinkeles' print speaks to a broader European fascination with historical narratives, particularly those involving moral or political lessons. This interest often intertwined with the religious and political tensions of the time. The print’s focus on papal corruption and infighting is certainly a critique of religious authority, which has roots in the reformation. By highlighting such episodes, the artwork subtly questions the Church's moral authority and its role in contemporary society. To truly understand this print, we need to consider the social context of both the event itself and its later representation. Historical texts, theological debates, and political pamphlets can all provide further insight into the complex interplay between art, power, and social commentary.